Abrams, Harold
Ain, Gregory
Alexander, Robert E.
Anderson, Guy
Antelline, Jon P.
Applebaum, Norm
Batter-Kay Associates
Beadle, Alfred
Beckett, Welton
Benedict, Hiram Hudson
Bird, Fujimoto & Fish
Bonini, Vincent
Brownell, J. Herbert
Buff, Straub and Hensman
Campbell, Donald
Cody, William F.
Crane, Loch
Dammann, Bruce
Davis, Ronald K.
Decker, Arthur
Deems-Lewis
Delawie, Homer
Des Lauriers, Robert
Drake, Gordon
Eckel, George
Eggers, Henry
Ellwood, Craig
Ferris, Robert
Fickett, Edward
Forester, Russell
Fowble, Robert
French, Stanley J.
Frey, Albert
Gill, Irving
Goldberg, Bertrand
Goldman, Donald
Gordon, Kenneth & Robert
Grossman, Greta
Hagadone, Walter
Harris, Harwell Hamilton
Henderson, John
Hester, Henry
Hope, Frank
Hufbauer, Clyde
Hubbell, James
Jackson-Scott
Jones, A. Quincy
Jones, Robert E.
Kahn, Louis
Kellogg, Dick
Kellogg, Kendrick Bangs
Kesling, William
Killingsworth, Brady & Smith
Kowalski, Joseph
Krisel, William
Ladd, Thornton
Lareau, Richard
Lautner, John
Leitch, Richard
Liebhardt, Frederick
Livingstone, Fred
Loring, Arthur
Lotery, Rex
Lumpkins, William
Lykos, George
Macy, Al
Malone, Ed
Marr, Clinton
Matthews, Roger
May, Cliff
McKim, Paul
Mitchell, Delmar
Mock, John
Mortenson, John
Mosher & Drew
Naegle, Dale
Neptune & Thomas
Neutra, Richard
Nomland & Nomland
Norris, Fred
Paderewski, CJ
Patrick, William
Paul & Allard
Paulson, Ted
Periera & Luckman
Platt, Robert
Ray, Eugene
Reed, John
Richards, Sim Bruce
Risley and Gould
Rosser, William
Ruocco, Lloyd
Salerno, Daniel
Schindler, Rudolph
Schoell & Geritz
Sigurdson, John
Simpson and Gerber
Skidmore, Owings and Merrill
Slatton, William
Soriano, Raphael
Spencer & Lee
Stimmel, William
Stone, Edward Durrell
Therkelsen, Lloyde
Tucker, Sadler & Bennett
Turner, Herb
Veitzer, Leonard
Vickery, Dean
Weir Brothers
Weston, Eugene III
Wheeler, Richard
Wright, Frank Lloyd
Wright, John Lloyd
Wright, Lloyd
Wulff and Fifield

Russell Forester, AIA (1920-2002)

Born in 1920 in Salmon, Idaho, at age five Russell Isley Forester moved to La Jolla with his younger brother and mother – who notably served as librarian at the Scripps Institution of Oceanography where a number of the architect’s clients would later conduct their research. Russell’s father, an architect, had abandoned the family.

Russell graduated from La Jolla High School in 1938 and later served in the Army Corps of Engineers (1943-46), where he began his architectural career as a draftsman alongside Lloyd Ruocco. Together, with other budding designers, the team designed ‘replacement depots’ while much of his free time away from the drafting table was devoted to drawing.

Russell’s first wife, Eleanor, was born on December 11, 1924, to Eva Lucille Puckett and George Albert Hedenberg. Eleanor moved to San Diego with her mother and stepfather, Kenneth J. Darrell, in 1939. After graduating from Hoover High School she worked in a drafting position for Concrete Shipyards designing barges for the War effort. At Concrete Shipyards, she met Russell and they immediately hit it off, forcing the head draftsman, Lloyd Ruocco, to move their desks apart since Russell spent too much time turning around to talk to her. Eleanor and Russell married on April 13, 1946, in La Jolla.

Mr. Forester opened his first office, at 7438 Cuvier Avenue, in 1948, as a freelance architectural designer. At this early stage of his career, he designed four houses for Lloyd and Betty Russell at 348 Vista de la Playa, his own home at 724 Rushville, a house for Ruth Dailey on Ludington Place and the Cromwell's home on Vista de la Playa.

Inspired by- and at the urging of Lloyd Ruocco (not to mention financing from the GI Bill), Russell sought out formal architectural studies -- during 1950-1951 at the Institute of Design (later IIT) in Chicago where Mies Van Der Rohe and others were spreading the International Style gospel. Inspired by- and at the urging of Lloyd Ruocco (not to mention financing from the GI Bill), Russell sought out formal architectural studies -- during 1950-1951 at the Institute of Design founded as the ‘New Bauhaus’ in 1937 by Bauhaus educator László Moholy-Nagy. By the time Russell arrived at the campus, Serge Chermayeff was serving as its director. Russell later recollected that his foundation course focused on perception, space, light, proportion and texture. Eleanor and Russell returned to San Diego when his mother became ill.

Russell’s formal studies, in Chicago, had a major impact on the development of his approach. While his early works, of 1948-49, were fairly traditional, Russell's work following his time at the Institute of Design were boldly 'contemporary'. His home designs in Scripps Estates Associates, near La Jolla Shores and elsewhere in La Jolla exemplify his new approaches in wood and glass.

Eleanor and Russell built three family homes together before they divorced after 20 years of marriage - their first house at 724 Rushville Street in April 1948, a house on Hillside Drive in 1952 and a spec house in the upper Shores area in the early 1960s. Eleanor was an accomplished and successful interior designer. Her company, Eleanor Forester Interiors, based in downtown La Jolla, focused on both commercial and residential projects. She designed dormitory rooms for UC San Diego and a string of banks, homes for Robert Peterson, Harle Montgomery, Joan Holter, William Karatz, and the Sampson, Mayne, Muzzy, Fayman, Kimmell, and Marston families, among many others. Eleanor also did residential work in San Francisco, Hawaii, Mexico, New York, and Montana.  Asked to write a monthly column for San Diego Magazine by editor Ed Self, she wrote the "La Jollans are Talking About" column in the early 1960s.

Russell opened his first office at the time his Rushville Street home was “chosen by a distinguished jury as one of the top residences in the United States for Progressive Architecture magazine.” His second home at 7595 Hillside Drive was “displayed in an international architecture exhibit at the Museum of Modern Art in Sao Paulo, Brazil in 1952.” Eleanor and Russell spent a year in Spain in 1955-56 while he “worked for a firm of engineers and architects on U.S. bases in Spain” as designer and supervising architect. After two years, Russell returned stateside “as a designer on the Los Angeles airport for the firm Pereira and Luckman.” By the time he obtained his architectural license, in 1960, Russell had already completed a wealth of modernist structures including his second home at 7595 Hillside Drive in La Jolla.


Early Jack in The Box

Russell was among the first wave of San Diego architects to emphasize the benefits of ‘steel and glass modernism’, championed elsewhere by the likes of Mies Van Der Rohe, to commercial and residential clients here. From his La Jolla practice, Mr. Forester  enjoyed a number of commissions by local art patrons Lynn and Danah Fayman as well as restaurateurs like Bob Peterson. For Peterson (Foodmaker CEO), Russell pushed Mieisian modernism into pop culture by designing the first Jack in the Box restaurant in 1951. As Jack in the Box ‘machines for dispensing food; (Forester, 2001) grew to well over 200 drive-thru restaurants inside 20 years, Peterson would also have Russell design the Family Tree, a more elegant setting for dining in San Diego, as well as his personal residence.

In 1962, San Diego & Point described Russell’s artwork as arresting, constructivist, severe, functionalist, and mainstream all in the same article. Of the second home he designed for the Russell family, the magazine stated “the house….has a quiet elegance and air of privacy. The feeling, both inside and out, is one of discipline without rigidity, elegance without opulence.”

Russell Forester spent three decades juggling his passion and vision for fine arts and architecture only to give up the latter for the former in 1976. With the aid of his second wife and architectural firm partner, Christine, Russell began his full-time career as a painter and sculptor when many of his contemporaries were retiring or at least retiring their modernist principles for safer ground. “Had it been up to him, he would have gone directly into the arts (rather than architecture). He liked the Bauhaus ideology of diverse disciplines,” remarked widow Christine Forester. “Had he been an artist since his 20s he may have not been as productive. Russell was often discouraged from pursuing his art. By the time he devoted himself full-time to art in his 50s, there was a sense of urgency. By this time his hand was very secure and there was little waste and few mistakes,” said Mrs. Forester.

Russell Forester defined architecture as problem solving.

From his Philosophy of Practice: We believe that good architecture grows out of a thoughtful, direct and imaginative approach to each owner’s individual problem. Our unique systems approach to the total project from the feasibility studies through design and finished construction gives us an economic and functional solution. Our understanding of the complexity of each client’s problems and the professional and artful solution to his needs is our concern. In our practice all functions (architecture, feasibility studies, planning, interiors, color or graphics) are based on a systems approach to the total concept. We know the broad scope of thinking and the individual talent that is brought to bear on each commission. It is unsurpassed. We are entering a new age of building. An age in which a new set of ideas is taking hold. These ideas are not solely technological in nature: they are also philosophical. Relating first to larger questions of environmental planning and then concern for the isolated technical details.

Russell Forester’s career melding art and architecture was honored by his unusual FAIA recognition. Rather than his career of progressive building designs being honored, Mr. Forester was recognized by his AIA colleagues for his contribution to art and architecture aesthetics. Russell believed the central tenet to integrity of design was his residential client’s lifestyle. Some of his clients would later become patrons of his artwork –filling their Forester-designed homes with Forester-designed artwork. Clients like Lloyd Russell, Danah Fayman and Bob Peterson commissioned Russell time and again. Clients may have understood him better than his colleagues in architecture.


Untitled, 1962

One only has to look at the ceiling of Park Prospect Apartments to understand Russell’s fascination with repetition. Many of Mr. Forester’s commissions include rows of small round light bulbs -- these “dots, lines and light” (Forester, 2001) are recurring themes in both his art and architecture. Whether using rows of light diodes, or punctuating his painting and sculpture (sometimes in steel) with a sewing machine, the linear repetition reflected this dots-in-line theme. From his La Jolla home, Russell grew fascinated by coastal mist seen through the expansive glass walls. His art often reflects coastal mornings by painting, washing, and repainting and the use of gauze to reflect this misty feeling.

Russell’s architectural designs varied in material and style over the decades (1948-1976) while always retaining central design principles – the problems the client needed solving; and how the whole project was vastly more than the sum of its parts. Clients of Russell Forester / Associates Inc. grew to expect a variety of things, central to which was his unquestionable integrity of his designs, passion and vision. During much of Mr. Forester’s architectural career, San Diego’s mid-century design aesthetic was comprised of a “lack of homogeneity in materials and approach to reflecting the region. People continued to come (to San Diego) from other elsewhere and clients wanted styles (reminding them of) from where they were from,” Mrs. Forester summarized. She continued, “He was a brilliant man, extremely talented, cut to the chase, detail oriented, never lost track of detail within content/ context of project “whole was definitely the sum of the details.”

Partial List of San Diego Projects

Bailey, G. Newton ("Newt") and Doris P. Residence (1954)
2635 Ellentown Road

Bronowski, Jacob and Rita Residence (ca. 1965)
9438 La Jolla Farms Road

Brown, Dr. James D. Residence (1967)
633 Ranchito Drive, Escondido

Byerly Residence (1969)
1949 Paseo Dorado, La Jolla

Callahan, Richard and Lucille Residence Addition (1969)
2116 Merida Court, La Jolla

Cromwell, Townsend Residence (1949)
304 Playa del Norte, La Jolla

Cromwell, Townsend and Katherine Residence (1955)
2621 Inyaha Lane

Dailey, Helen Ruth Residence (1948)
7750 Ludington Place, La Jolla

Dill, Robert and Gloria Residence (1955)
2605 Ellentown Road

Driver, Robert Residence (1955)
2938 Coast Blvd (2938 Sandy Lane), Del Mar

Edison, Simon and Helen, Residence (1974)
2430 Calle del Oro, La Jolla
*Published - San Diego Union-Tribune 1/22/1995


Family Tree Restaurant

Family Tree Restaurant (1965)
2929 Shelter Island Drive, San Diego
AIA Award of Honor – 1966

Fayman, Lynn & Danah Residence #1 (1962)
2545 Ardath Road
, La Jolla

Fayman, Danah Residence #2 (1969)
7778 Starlight Drive, La Jolla

Fayman Industrial Building (1966)
3421 Tripp Court, San Diego

Forester, Russell & Eleanor Residence #1 (1948)
724 Rushville Street, La Jolla

Forester, Russell & Eleanor Residence #2 (1952)
7595 Hillside Drive, La Jolla

Forester, Russell Spec House (1962)
8695 Glenwick Lane, La Jolla

Forester, Russell & Christine Residence (1971)
2025 Soledad Avenue, La Jolla


Forester Office Building

Forester Office Building (1973)
1241 Cave Street, La Jolla
Published in the La Jolla Light, 8/2/1973

Frautschy, Jeff and Frances Residence (1954)
2625 Ellentown, La Jolla

Freitas Residence (1968)
3022 Donee Diego Drive, Escondido

Gewalt Residence (1956)

Gist, Richard and Allison Residence (1955)
2522 Horizon Way

Gross, Max Hudson and Louise J. Gross Residence (1963)
5911 Folsom Drive, La Jolla

Herman, Edmund & Elsie Residence (1961)
1262 Fleetridge, Point Loma

Inman, Douglas and Ruth Residence (1955)
2604 Ellentown Road


Mark I Jack in the Box (
circa 1951)

Jack in the Box Mark I design (1951)
6270 El Cajon Blvd, San Diego


Mark II Jack in the Box reportedly by Wayne Williams, graphics by Whitney Smith
circa 1956

Jack in the Box, Mark II design (mid 1950s)
Published - Los Angeles Times 4/11/1991


Mark III Jack in the Box (circa 1960s)

Jack in the Box, Mark III design (early 1960s)

Jack in the Box
5141 Jackson Drive

Jack in the Box Offices
3233 Kurtz

Jack in the Box
Broadway & H, Chula Vista

Jack in the Box
El Cajon Blvd. & 63rd

Jack in the Box
Imperial & 13th

Jack in the Box
Mass & Univ, La Mesa

Jack in the Box
Voltaire & Sunset Cliffs

Jack in the Box
30th & Imperial

Jack in the Box
8025 Broadway, Lemon Grove

Jack in the Box
3850 Clairemont Mesa

Jack in the Box
2886 El Cajon Blvd.

Jack in the Box
1745 Highland, National City

Jack in the Box
5080 Logan

Jack in the Box
353 W. Main, El Cajon

Jack in the Box
2295 Market St.

Jack in the Box
4104 Mission, Pacific Beach

Jack in the Box
6070 Mission Gorge Road

Jack in the Box
2605 Morena

Jack in the Box
850 Palm, Imperial Beach

Jack in the Box
644 E. San Ysidro, San Ysidro

Jack in the Box
3250 University

Jack in the Box
786 3rd, Chula Vista


Jefferson Gallery (1965)

Jefferson Gallery (1965)
7917 Ivanhoe, La Jolla
*San Diego AIA Award of Honor (1966)

Jones, Chalmer E. Residence (1962)
9322 La Jolla Farms Road, La Jolla

Klapper, Roy B. Residence (1957)
6433 La Jolla Scenic Drive, La Jolla


Sculpture at La Jolla Country Day School

La Jolla Country Day School Fountain (1967)
Award of Merit in 1968 from San Diego AIA

La Jolla Veterinary Hospital (1950)
7520 Fay Ave, La Jolla 


Mayne Residence, La Jolla (1962)

Mayne, Don & Marilyn Residence (1962)
1774 La Jolla Rancho Road, La Jolla

Mayo Residence (1951)
4940 Resmar Road

Means, Rodney Residence (1962)
8862 La Jolla Scenic Drive, La Jolla

Miller, Paul G. Residence (1959)
6558 Manana Place, La Jolla

Moore, David and Claire Residence (1955)
9440 La Jolla Shores Drive

Nelson, Ralph B. (ret) and Sigmund Wald Residence (1961)
8862 La Jolla Scenic Drive, La Jolla

Olsen Residence (1950)
348 Vista de la Playa, La Jolla

Park Prospect (1964)
800 Prospect, La Jolla

Patten, Stanley, R/Adm Residence (1961)
5850 Beaumont Ave, La Jolla

Peterson, Robert O. Residence (1964)
567 Gage Lane, Point Loma
*San Diego Home and Garden published in May 2006

Poppendiek, Heinz and Elizabeth Residence (1965)
7834 Esterel Drive

Private Residence (1963)
5911 Folsom Drive, La Jolla

Private Residence
2643 St. Tropez Place, La Jolla

Private Residence (1961)
2705 Bordeaux, La Jolla

Private Residence (1961)
8408 Paseo Del Ocaso, La Jolla

Ridland, Mr. and Mrs. Residence (1961)
7602 Via Capri, La Jolla  

Russell, Lloyd and Betty Residence #1 (1948)
348 Vista del Playa, La Jolla

Russell, Lloyd and Betty Residence #2 (1962)
7651 Hillside Drive, La Jolla

Russell, L.E. Residence (1962)
7661 Hillside Drive, La Jolla

Sampson, Horace and Dorothy Residence (1972)
2323 Calle Del Oro, La Jolla

Schmidt, Dr. A. G. Residence (1961)
1191 Avenida Amantea, La Jolla

Schreiber, A Residence (1956)
5917 Citadel Circle, La Jolla

Shor, George and Betty Residence (1954)
2655 Ellentown, La Jolla

Shumway, George and Ann (Revelle) Residence (1955)
2504 Ellentown Road, La Jolla

Signori, Al and Frances Residence (1968)
7872 Esterel, La Jolla

Smith, Com. & Mrs. W.A. Residence Remodel (1949)
Lots 20 & 21, Block 85, Point Loma

Spiess, Fred and Sarah Residence (1955)
9450 La Jolla Shores Drive

Sunset Engraving (1963)
India and Date Street, San Diego

Tompkins Residence (1962)
7743 Eads Ave., La Jolla

Urey, Harold and Frieda Daum Residence (1954)
7890 Torrey Lane, La Jolla  

Whisenand, Dr James M. and Mrs Juanita Residence (1958)
6325 Camino del Teatro, La Jolla

Wood, Elizabeth Residence (1953)
2320 Calle Corta, La Jolla

Zane, John Residence (1959)
7813 La Jolla Scenic Drive, La Jolla

Zemlick, Maury Residence (1967)
4685 Alta Rica Drive, La Mesa


Untitled, 1978


Painting, Untitled, 1985


Installation, Collateral Damage, 1993


Painting, Untitled, 1962, Oil on Linen


Untitled, 1964


Untitled, 1965


Painting, 'Untitled' 1950


Bronze Covered Steel, Commissioned for May Company Department Store (1962)