Abrams, Harold
Ain, Gregory
Alexander, Robert E.
Anderson, Guy
Antelline, Jon P.
Applebaum, Norm
Batter-Kay Associates
Beadle, Alfred
Beckett, Welton
Benedict, Hiram Hudson
Bird, Fujimoto & Fish
Bonini, Vincent
Brownell, J. Herbert
Buff, Straub and Hensman
Campbell, Donald
Cody, William F.
Crane, Loch
Dammann, Bruce
Davis, Ronald K.
Decker, Arthur
Deems-Lewis
Delawie, Homer
Des Lauriers, Robert
Drake, Gordon
Eckel, George
Eggers, Henry
Ellwood, Craig
Ferris, Robert
Fickett, Edward
Forester, Russell
Fowble, Robert
French, Stanley J.
Frey, Albert
Gill, Irving
Goldberg, Bertrand
Goldman, Donald
Gordon, Kenneth & Robert
Grossman, Greta
Hagadone, Walter
Harris, Harwell Hamilton
Henderson, John
Hester, Henry
Hope, Frank
Hufbauer, Clyde
Hubbell, James
Jackson-Scott
Jones, A. Quincy
Jones, Robert E.
Kahn, Louis
Kellogg, Dick
Kellogg, Kendrick Bangs
Kesling, William
Killingsworth, Brady & Smith
Kowalski, Joseph
Krisel, William
Ladd, Thornton
Lareau, Richard
Lautner, John
Leitch, Richard
Liebhardt, Frederick
Livingstone, Fred
Loring, Arthur
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Lumpkins, William
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Malone, Ed
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Matthews, Roger
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Mitchell, Delmar
Mock, John
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Norris, Fred
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Patrick, William
Paul & Allard
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Platt, Robert
Ray, Eugene
Reed, John
Richards, Sim Bruce
Risley and Gould
Rosser, William
Ruocco, Lloyd
Salerno, Daniel
Schindler, Rudolph
Schoell & Geritz
Sigurdson, John
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Weir Brothers
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Wright, Frank Lloyd
Wright, John Lloyd
Wright, Lloyd
Wulff and Fifield

John August Reed (b. 1926)


David F. & Beverly Reed Residence (1955)

John August Reed left the US Army in 1946 and within a couple of years had worked on his first building, a beach house built while an associate of architect Lloyd Ruocco's, in 1948. He then worked for Lloyd Wright (in Los Angeles) before working as an associate with Sim Bruce Richards (between 1953-1955). John would relocate to Los Angeles, grow a firm peaking at nearly two-dozen employees, and later scale back to form a practice with his son. Over the decades, Mr. Reed is responsible for designing over 500 projects.

The story starts with John’s grandfather retiring to San Diego in 1913. Soon after the birth of grandson, John, the family left Ohio to clear up grandpa’s estate in San Diego in 1932. John’s family lived in his uncle August Biehle's home at 1888 Alta Mira Place in Mission Hills. John attended Francis Parker before going on to San Diego High.

Before joining the War effort (he enlisted at age 16 and entered the war in 1945 at age 18), John studied industrial design and roamed San Diego learning about the region’s architectural assets. He discovered Irving Gill while reading “Sticks and Stones” by Lewis Mumford (published in 1924). John, out of the military by 1946, entered USC’s School of Architecture in 1947. While still engaged in San Diego’s recent architectural history and its progressive movement (including Gill and others), the young Reed’s USC classmates were none other than Conrad Buff, Donald Hensman, Thornton Ladd, Henry Hester and Pierre Koenig. Among his teachers (and dinner partners) were Gregory Ain and Garrett Eckbo. In addition to his key instructor Gregory Ain, John enjoyed classes with H.Th. Wijdeveld during his visiting professorship at USC in 1948-49.

During the summer of 1948, away from campus, John helped nail together Lloyd Ruocco’s La Mesa architecture studio (adjoining his Il Cavo home prior to building the Design Center in 1949/50) for whom he worked as a draftsman for a short while. Here he designed the Baranov Beach House, which was built, in 1949, after he returned to his coursework in Los Angeles. At the time of his summer employment, John introduced Lloyd to several Reed family friends - the Baranov, Burnett and Goodman families all would become Ruocco clients. While playing classical 78s in the office, John assisted the team of Ruocco and Jim French on the Holmgren and Jacobsen residences as well as helped build Ruocco's studio on the site of his personal residence.

During this same summer, and among his return trips to San Diego John would borrow his father’s car (and gas card) and drive around San Diego hunting for notable architecture. During one of these trips he set his eyes on Sim Bruce Richards’ Cohu Residence (1948) and Richards Residence #1 (1949). He searched out the young building designer at his first office on Pearl Street (a pre-fab 20’ x 40’ one-board-thick cottage circa 1915) in La Jolla and started a long-term friendship.

John broke from coursework for a short time, in favor of working for Lloyd Wright. Between 1948-1951 John made $50/week helping out FrankLloyd Wright’s son on working drawings for his Wayfarer’s Chapel in Rancho Palos Verdes and his Roy A. Kropp House and Huntington Hardford Galleries (unbuilt).

Between 1953-55 John Reed became an associate to Sim Bruce Richards. Renting living quarters in the back of Richards’ Prospect Street office, Reed worked from his own drafting table as well as collaborating on Richards’ projects such as the Olney Residence (1954). During this time, John completed RM Schindler’s Schlessinger House (1952-54) “…Schindler's final complete design, realized the year before his death.” Reed helped the client, a philosophy professor at Los Angeles City College, finalize Schindler’s drawings into a more structurally sound, potentially longer-lasting home. He would later finish his studies and pass his exams in 1956.

Two of John’s most notable, and publicly viewable, projects are two sets of Spec Houses. Following the development of a large parcel of land on Talbot and Gage streets, John sold the houses one by one through local realtor Betty Tate. In exchange for his work, Betty threw John a small parcel of land on Macaulay Street in Point Loma to develop. Here he designed three row homes that would go up for sale through Tate.

John Reed's interest in Irving Gill began while growing up in San Diego. Having lectured throughout Southern California on Gill's work as early as 1954, Mr. Reed assisted Esther McCoy with her book “Five California Architects” in 1959. Among his activities in Los Angeles, John joined The Architecture Panel aiding in shows on Frank Lloyd Wright (in 1956), RM Schindler, Welton Beckett and Victor Gruen; published a book “Irving Gill 1870-1936” in 1958 (with The Art Center of La Jolla and LACMA); worked with others to launch a symphony, as well as a museum of modern art as well as serve as a founding member of the Southern California Chapter of the Society of Architectural Historians.


Spec Houses from 1960 (below) and 1954 (above)

Partial List of Early Projects

6 Residences for Fergen & Griffin (Designed 1963, Built 1964)
3438, 3442, 3446, 3434, 3428 and 3424 Alabama Street, San Diego

Chew, John Residence (1959)
1576 Everview Road, Linda Vista

Costa, Joseph Residence Addition (1964)
3311 Trumbull, Point Loma


Imperial House Apartments

Imperial House Apartments (1961)
2812-2886 Upshur Street, Point Loma

*Several 400 sq ft apartments and two penthouses

Katz, J. Residence I (circa 1955-56)
Los Angeles
*Destroyed by fire

Katz, J. Residence II (1972)
Los Angeles


Luana Apartments - Photo by Charles Aqua Viva (ca. 1961)

Luana Apartments (1961)
Crown Point

Rabin, Seymour Residence (1957)
3692 Liggett Drive
*Later remodeled by Henry Hester

Reed, David F. & Beverly Residence (1955)
1541 Garrison Place

Reed, John Residence or 'Butterfly House' (ca. 1954)
3651 Wonder View Drive, Los Angeles

Reed, O.P. Residence (1960)
2156 Rambla Vista, Malibu
*OP Reed, a painter, ran the Landau Gallery at 702 N. La Cienaga
*Included in David Gebhard's 1868-1968 Architecture in California


Rosenblatt Residence
Photography by Darren Bradley

Rosenblatt Residence (ca. 1956-57)
1689 Los Altos Road, Pacific Beach


Spec House (1954)

Spec House (1954)
946 Bangor, Point Loma
*Also known as the John Reed Residence, Slocum Residence and Triangle House. From the street, it is evident that this series of boxes is influenced by California Modernism, while from the valley below its Wrightian window assemblage is quite the opposite. John lived in the house for a short time following its completion. 1990 second story addition, interior renovation and structural changes were done by San Diego architect Steven Lombardi.


Spec House (1955)

Spec House (1955)
999 Gage Drive, Point Loma
*Also known as the Lindsey Residence (the house’s first occupant), this is the second project from the coordinated land purchase and re-development of a large parcel of land at the north end of Bangor and the land below at the corner of Gage and Talbot streets. John and Sim Bruce Richards partnered on buying the land, making the required (by the City of San Diego) improvements and developing the land into several buildable parcels.


Spec House (1958)

Spec House (1958)
3226 Macaulay Street, Point Loma

Spec House (1958)
3222 Macaulay Street, Point Loma

Spec House (1958)
3218 Macaulay Street, Point Loma


Spec House (1960)

Spec House (1960)
995 Gage Street, Point Loma
*Also known as the 8-Sided Star House, the structure is comprised of two interlocked square volumes offset 45-degrees. The exterior walls created by the solid square, or cube, become interior organizing volumes.


Villa Point Loma Apartments (1964)


Villa Point Loma Apartments (1964)

Villa Point Loma Apartments (1964)
3742 Curtis Street, Point Loma