Abrams, Harold
Ain, Gregory
Alexander, Robert E.
Anderson, Guy
Antelline, Jon P.
Applebaum, Norm
Batter-Kay Associates
Beadle, Alfred
Beckett, Welton
Benedict, Hiram Hudson
Bird, Fujimoto & Fish
Bonini, Vincent
Brownell, J. Herbert
Buff, Straub and Hensman
Campbell, Donald
Cody, William F.
Crane, Loch
Dammann, Bruce
Davis, Ronald K.
Decker, Arthur
Delawie, Homer
Des Lauriers, Robert
Drake, Gordon
Eckel, George
Eggers, Henry
Ellwood, Craig
Ferris, Robert
Fickett, Edward
Forester, Russell
Fowble, Robert
French, Stanley J.
Frey, Albert
Gill, Irving
Goldberg, Bertrand
Goldman, Donald
Gordon, Kenneth & Robert
Grossman, Greta
Hagadone, Walter
Harris, Harwell Hamilton
Henderson, John
Hester, Henry
Hope, Frank
Hufbauer, Clyde
Hubbell, James
Jones, A. Quincy
Jones, Robert E.
Kahn, Louis
Kellogg, Dick
Kellogg, Kendrick Bangs
Kesling, William
Killingsworth, Brady & Smith
Kowalski, Joseph
Krisel, William
Ladd, Thornton
Lareau, Richard
Lautner, John
Leitch, Richard
Liebhardt, Frederick
Livingstone, Fred
Loring, Arthur
Lotery, Rex
Lumpkins, William
Lykos, George
Macy, Al
Malone, Ed
Marr, Clinton
Matthews, Roger
May, Cliff
McKim, Paul
Mitchell, Delmar
Mock, John
Mortenson, John
Mosher & Drew
Naegle, Dale
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Neutra, Richard
Nomland & Nomland
Norris, Fred
Paderewski, CJ
Patrick, William
Paul & Allard
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Platt, Robert
Ray, Eugene
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Ruocco, Lloyd
Salerno, Daniel
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Veitzer, Leonard
Vickery, Dean
Weir Brothers
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Wheeler, Richard
Wright, Frank Lloyd
Wright, John Lloyd
Wright, Lloyd
Wulff and Fifield

Paul William McKim (1931-)

Paul McKim was born in New Albany, Indiana in 1931. Following service in the US Navy (1951-55), he attended the University of Indiana. McKim earned his Bachelor’s of Architecture in 1961 shortly after receiving the Early Prize (in 1960) and James White Memorial Prize (1961). Shortly after moving to San Diego he established Paul McKim & Associates and joined the local chapter of the AIA (both in 1963-64). McKim’s office was in Lloyd Ruocco’s Design Center on Fifth Avenue along with a host of other design talent. While at the Design Center Bruce Damon and Dick Bundy worked alongside him. Paul served as a visiting lecturer for the San Diego State College School of Environmental Design (1967-68) followed by his Board of Directors position for the San Diego Chapter of the AIA (1968-69).

McKim would earn an Award of Merit (San Diego, AIA) in 1966; and Honorable Mention from AIA-House &. Home Magazine (1967); an Excellence for Design Award from Architectural Record Houses (1968); an Award of Merit from the AIA-Sunset Magazine (1969) all for the McKim Residence. McKim’s house hosted vertically stripped windows, and floor-to-ceiling glass facing its courtyard showcasing Richard Neutra’s influence on McKim’s work. The architect was also awarded an Award of Merit for his Gauthier Residence from the San Diego Chapter of the AIA in 1968.

Paul McKim's style was strongly influenced by the natural beauty of San Diego county's landscape. He began with simple shapes in his designs to act as a backdrop to year-round landscaping, which replaced the need for ornament on his structures. Mr. McKim's dramatic interior spaces depend on large expanses of glass allowing filtered sunlight to cast shadows across plain walls. His interiors flow horizontally by using glass walls between the indoor and outdoor spaces.

Partial List of San Diego Projects

Gauthier Residence (1966)
1159 Hymettus Street, Leucadia

McKim Residence (1965)
3911 Portola Place

This contemporary-looking town house with balconies and lofts that become sleeping/circulation spaces, was McKim’s his first completed house (and his own). The first floor’s 18’ ceilings (in parts of living room) and H-shape plan welcome the guest through a sheltered-entry garden. Economy in both scale and cost, privacy from homes flanking both sides, and meshing indoor and outdoor space were key design criteria in Paul McKim's own residence. For a price tag of only $21,000, McKim's 1600sq ft H-shaped plan was economized by way of simple post and beam construction and off-the-shelf materials. The H-plan's rectangular boxes, separated by a circular stairwell and twin courtyards, both embrace the outdoors and maintain privacy. In this neighborhood, most homes are placed closer to the street and focus on the backyard. With a park at its rear, Paul McKim placed the structure 50 ft. from Portola Place allowing neighbors an uninterrupted view of San Diego bay while engaging the trees of the Mission Hills park as an extension to the back- and rear courtyard spaces. The tall eucalyptus trees behind the home add to the overall impact of the design when viewed from the street. Originally designed for the parents to occupy the right wing and the children the left (above the office space). Generous detailing and openness were created with minimal cost - two-story spaces enliven the small footprint of the original design, sun trellises provide shade and design elements while white stucco walls in the courtyard reflect sun to illuminate the living room.

Mesa Santa Fe Master Plan (1967)

Metropolitan Apartment Residences (1967)
San Diego

Private Residence (1972)
10933 Rim Road, Escondido

Sloan Residence (1967)
4452 Brindisi Street